- Collaboration with Daredevil Pedals proprietor and pedal builder Johnny Wator
- Combines the bright, aggressive vocality of a modded Cry Baby Wah with a custom fuzz circuit
- Special housing with a vintage crinkle finish base, a polished aluminum rocker top, and a custom design tread
- Each one is hand built with thru-hole components with true bypass switching
- The only external control is a heavy-duty baseball bat switch to toggle the fuzz on and off
- Removing the bottom plate reveals two more controls: one to set the pedal’s output when the fuzz is engaged and another to dial in your preferred level of fuzz nastiness
- For instant lead tone, boost both the output and gain
- Wah / Fuzz Waw switch : Toggles fuzz effect on / off
- Fuzz Output knob (internal) : Adjusts pedal volume when fuzz wah mode is engaged
- Gain knob (internal) : Adjusts intensity of fuzz effect
- This custom Cry Baby Wah combines three of Justin Chancellor's favorite ways to explore tones and craft soundscapes—filter, wah, and fuzz
- U.K. Filter mode : Custom solid-state circuit designed to emulate the unique envelope-like filtering of the tone control on Justin's own instrument—thick and throaty with very pronounced peaks. This mode absolutely nails his melodic, voice-like phrasing, as heard in the Tool track "The Patient." When combined with the built-in fuzz mode, the U.K. Filter generates incredibly smooth, synth-like tones
- Wah mode : Classic Red Fasel Inductor and the circuitry of a modified Cry Baby Wah for a more aggressive sound and brilliantly lush harmonics. Combined with the built-in fuzz circuit, the Wah mode cuts through with electric fire
- Customize each mode with separate Volume and Q controls, and move between the two at any time by stomping on the Wah Select footswitch. In both modes, this pedal's custom circuitry maintains the thickness and heft of your low end by boosting your clean signal at 400Hz and blending it with the effect signal at the beginning of the rocker's sweep
- Vintage Fuzz : Justin's go-to fuzz, based on a ferocious device of vintage UK origin. It cuts through the mix with a tighter focus than most fuzzes of its type while retaining much of a bass signal's thunderous heft, as heard in the Tool track "Jambi."
- By default, you'll only hear the fuzz when using the rocker pedal—it gives the U.K. Filter and Wah modes just the right amount of harmonic content to grab hold of for the crushing yet musical passages
- Justin uses the U.K. Filter mode by itself, and he likes to combine the Wah mode with the fuzz—which he can engage with a single motion thanks to the optional Dunlop Pedal Topper, which provides a larger surface area for your foot to make contact with
- Emulate Justin's tried and true formula for killer sounds, or experiment with all the different configurations available to unlock the hard-rocking and soundscaping potential of your own rig. In all scenarios, the Justin Chancellor Cry Baby Wah is a must for the tonecrafting bass player
- U.K. Filter / Wah mode can be combined with Vintage Fuzz or you can run them independently
- Concert Ukulele (23")
- Full Solid Hawaiian Koa (Top, Back & Sides)
- Hand Rubbed Satin finish
- Gig Bag included
-
Hand-soldered, individually insulated XLR connectors prevent short circuits
-
100% OFC wiring increases conductivity and resists corrosion for strong transmission
-
Wire-mesh strain relief prevents excessive flexing near the connectors
-
Heavy-duty stage box protects internal components to ensure reliable operation
- TOP: Solid Red Cedar
- SIDES & BACK: Mahogany
- NECK: Mahogany
- FINGERBOARD: Indian Rosewood
- MACHINE HEADS: Nickel Plated
- BINDING: Only on top
- SCALE LENGTH : 650mm
- FINISH : Satin
- ELECTRONICS : Fishman Clasica II with Tuner
- OTHER : Thin-body with cutaway
- CASE : Hard Case
- TOP: Solid Red Cedar
- SIDES & BACK: Mahogany
- NECK: Mahogany
- FINGERBOARD: Indian Rosewood
- MACHINE HEADS: Nickel Plated
- BINDING: Only on top
- SCALE LENGTH : 650mm
- FINISH : Satin
- ELECTRONICS : Fishman Clasica II with Tuner
- OTHER : Thin-body with cutaway
- CASE : Soft Gig Bag
-
Hand-soldered, individually insulated XLR connectors prevent short circuits
-
100% OFC wiring increases conductivity and resists corrosion for strong transmission
-
Wire-mesh strain relief prevents excessive flexing near the connectors
-
Heavy-duty stage box protects internal components to ensure reliable operation
- Takamine G50 Series Acoustic Guitar
- NEX body (scaled down Jumbo)
- Solid Spruce top
- Black Walnut back & sides
- 25.4" (644mm) scale length
- Split saddle design & pin bridge
- Deluxe cosmetic appointments (abalone rosette and mother-of-pearl dot inlays, gold die-cast tuners)
- Gloss Natural finish
- Takamine G15 Series Acoustic-Electric Guitar
- FXC cutaway body (Grand Concert)
- Solid Spruce top
- Mahogany back & sides
- 25.4" (644mm) scale length
- Takamine TP-4T preamp (Built-in Tuner, Bass, Middle, Treble, Volume controls)
- Natural Gloss finish
- TOP: Solid German Spruce
- SIDES & BACK: Indian Rosewood
- NECK: Mahogany
- FINGERBOARD: Ebony
- MACHINE HEADS: Gold Plated
- SCALE LENGTH : 650mm
- FINISH : Gloss
- CASE : Deluxe Gig Bag
-
Hand-soldered, individually insulated XLR connectors prevent short circuits
-
100% OFC wiring increases conductivity and resists corrosion for strong transmission
-
Wire-mesh strain relief prevents excessive flexing near the connectors
-
Heavy-duty stage box protects internal components to ensure reliable operation
- TOP: Solid Red Cedar
- SIDES & BACK: Indian Rosewood
- NECK: Mahogany
- FINGERBOARD: Ebony
- MACHINE HEADS: Gold Plated
- SCALE LENGTH : 650mm
- FINISH : Gloss
- CASE : Deluxe Gig Bag
- Takamine G30 Series Acoustic Guitar
- Dreadnought body
- Solid Spruce top
- Mahogany back & sides
- 25.4" (644mm) scale length
- Split saddle design & pin-less bridge
- Gloss Black finish
- Takamine G30 Series Acoustic Guitar
- Dreadnought body
- Solid Spruce top
- Mahogany back & sides
- 25.4" (644mm) scale length
- Split saddle design & pin-less bridge
- Gloss Sunburst finish
- Taka-Mini Series 3/4 size Acoustic-Electric Guitar
- NEX cutaway body (scaled down Jumbo)
- Solid Spruce top
- Mahogany back, & sides
- Takamine TP-4T preamp (Built-in Tuner, Bass, Middle, Treble, Volume controls)
- Natural Satin finish
- Comes with gig bag
-
Hand-soldered, individually insulated XLR connectors prevent short circuits
-
100% OFC wiring increases conductivity and resists corrosion for strong transmission
-
Wire-mesh strain relief prevents excessive flexing near the connectors
-
Heavy-duty stage box protects internal components to ensure reliable operation